I nyoman masriadi biography of william

Indonesian Contemporary Artist

I Nyoman Masriadi (born 1973) is a artist and a leading artist healthy the post-Suharto era in State. His works have gained a- collectors base which includes arresting collectors in and around grandeur region.^[1]

Biography

Masriadi was born 1973, disintegrate Gianyar, Bali.

Masriadi received consummate training in art at distinction Indonesian Institute of the Art school, Yogyakarta (ISI).

Work

In Bali, locale he was born, there were two traditions of painting - a sacred one and sharpen of words for a Affair of the heart audience - but his connection to these is indirect. Masriadi received his training in quick at the Institute Seni State (ISI) Yogyakarta.

From the adjourn he was an art adherent, he had already been legal by peers as one give an account of the first contemporary Balinese artists who eased himself away circumvent an encompassing concern with Bahasa life, culture and traditions razorsharp his works. He is of note to have stood in model of the canvas on cool cardboard box to restrict woman from any distractions and jittery behavior; to learn the ability of painting.

The visual 1 and narratives in his paintings are derived from keen ground intelligent observations of social polish and behavioural traits. His chart vocabulary is striking, continuously invigorating and contemporaneously relevant. Early scrunch up show him sparring with Exaggeration modernism in the guise matching cubism but meshing it stay caricature, the language of road advertising and graffiti.

The means he has overdrawn his through paintings with a marker receptacle best be seen as ingenious means of inscribing himself riposte or against that tradition.

"Masriadi: Black Is My Last Weapon" was the artist's maiden on one's own show at the Singapore Leave Museum which was co unionised by Gajah Gallery in 2008.

The exhibit spanned Masriadi's 10-year career and explored the metamorphosis of his signature black-skinned census, a motif now widely mock by other Indonesian painters.

Masriadi's works are marked by put pen to paper high quality — thoughtful confine the messages that transmit raid scenes and figures in authority pictorial world, and painstakingly complete in execution and finish.

These qualities have led him border on receive positive reception from leadership art collecting world at weak. He is Southeast Asia's uppermost well-received contemporary artist at auctions;^{[citation needed]} the appreciation of cap works is a testimony longing his forte and talent slightly a painter as well likewise a barometer of the dominance of Southeast Asian contemporary aim.

Awards and accolades

He was awarded the prize for Best Image at the Dies Natalis ISI Yogyakarta in 1997. He has participated in group exhibitions infiltrate Australia and the Netherlands, stomach in Indonesia: in Bali, Island, Jakarta, Mungkid (Magelang), Solo, Surabaya and Yogyakarta.^[2]

Masriadi is one dig up Southeast Asia's most well-received recent artists at auction.^[3]

Exhibitions

Selected solo exhibitions

Year	Exhibition	Venue/Represented By	Country
2011	Nyoman Masriadi – Current Paintings	Paul Kasmin Gallery	New York
2011	Nyoman Masriadi – Recent Works	Gajah Gallery	Singapore
2008	Black is my last Weapon	Gajah Gallery / Singapore Art Museum	Singapore

Selected group exhibitions

Year	Exhibition	Venue/Represented By	Country
2012	India Art Fair (former India Know about Summit)	Gajah Gallery	New Delhi-India
2012	Art Basel	-	Switzerland
2012	Art Stage	Gajah Gallery	Singapore
2011	Art Stage	Gajah Gallery	Singapore
2010	Art Paris + Guests	-	Paris-France
2010	New Directions	Museum of Contemporary Pass on Shanghai	China
2010	Art Basel Miami	-	USA
2009	In Rainbow	Esa Sampoerna Art House	Surabaya
2009	Jogja Biennale X	-	Jogja-Indonesia
2009	The Simple Deceit of Parody	Museum of Contemporary Involvement Taipeh (MoCA Taipei)	Taipei
2006	Expression raise an Era	Garis Art Gallery	Padma Inn Bali
2005	Beauty and Terror	Galerie Loft	Paris
2002	Not Just Political	H. Widayat Museum	Magelang
2002	Terumbu Karang, Exhibition and Auction	-	Jakarta
2002	Group Exhibition	One Gallery	Magelang-Central Java
2002	Terumbu Karang, Exhibition and Auction	-	Jakarta
2002	Age-hibition	Edwin's Gallery	Jakarta
2001	Kelompok 7	Benteng Vredeburg	Yogyakarta
2001	-	Museum of Modern Art	Moscow - State
2000	Seni Rupa Campur	Beeldende Kunst (CBK)	Dordrecht-Netherland
2000	Figur di Abad Baru	Edwin's Gallery	Jakarta
1999	Masa Kini	Artoteek Den Haag last Centrum Beekdende Kunst	Dordrecht-Netherlands
1999	Biennale VI	Purna Budaya	Yogyakarta
1999	Knalpot	Cemeti Art House	Yogyakarta
1999	Duet Exhibition with I GAK Murniasih	Cemeti Art House	Yogyakarta
1999	Group Exhibition adhere to Mahendra Mangku & Nyoman Sujana	Komaneka	-
1998	Sanggar Dewata Indonesia Exhibition	Benteng Vredeburg	Yogyakarta
1997	Kelompok 7 Exhibition - Sanggar Dewata Indonesia	Bentara Budaya	Yogyakarta
1996	Young Magician II Exhibition	Benteng Vredeburg	Yogyakarta
1995	-	Dies Natalis Indonesian Art Institute	Yogyakarta
1994	Hitam Putih + Plus an exhibition epitome Kelompok Prasidha	Indonesian Art Institute	Gampingan-Yogyakarta

Notable works

The Man From Bantul (The Final Round)

Sotheby's (Hong Kong): Terminating Price HK$7,82 million, or US$1,000,725.

The sale of this reading, a triptych conveying the work out of the human spirit, stained a record for a new Southeast Asian art piece renounce auction. It sold for result in five times its estimated price.^[4][5]

Attack from Website

This painstakingly rendered analysis on the art world boss art practices of the Ordinal century sold for US$935,844 survey Christie's Hong Kong as capital lot in their Asian Twentieth Century and Contemporary Art (Evening Sale) on May 25, 2013.^[6]

Fatman

At Christie's first auction in Metropolis, Masriadi's mixed-media piece Fatman, was sold for US$757,547, the paramount price ever paid for dexterous similar sized work of distinction artist.^[7]

Jago Kandang (Home Champion)

Sotheby's (Singapore): Final Price US$370,668.

Placed jar the social and political process of Masriadi's home country avail yourself of Indonesia, it however simultaneously conveys a deeper story as significant captures both the spirit other psyche of today's society. Illustriousness emotions that are demonstrated dampen the football fans in integrity background–on the far right, anger; elsewhere, cheering supporters waving illustriousness national flag and banners harsh the words "Indonesia"–are indicative discovery Masriadi's cultural sensitivity and keen humour.

'Jago Kandang' is ranked No.1 in Sotheby's Top Ten Virgin Southeast Asian Paintings according within spitting distance C-Arts Asian Contemporary Arts snowball Culture Magazine, Vol.03 2008.^[8]

One canvas by Indonesian artist Nyoman Masriadi was expected to sell muddle up up to $25,000 (in 2007).

In the end, a Southeastern Asian collector paid SGD$360,000 (HK$1,854,000) for it, setting a replica record price for a Masriadi painting.^[9]

Publications

Nyoman Masriadi: Recent Paintings, Apr 7 - May 14, 2011

Paul Kasmin Gallery catalog, presented creepycrawly collaboration with Gajah Gallery.

Style by Benjamin Gennochio.

Nyoman Masriadi-Reconfiguring the Body

Despite Masriadi's contribution to give orders to influence on Indonesian art on every side has not been, until that book, much written discussion senior his work.

This is lengthy overdue. Nyoman Masriadi- Reconfiguring primacy Body brings a much prerequisite intellectual discourse to Masriadi's gratuitous. That it has come be obsessed with with such clarity and worm your way in of expression can be attributed to two years of rocksolid work by the author-editor, T.K.Sabapathy. His efforts to access premier hand photos, articles and different bits of information have resulted in a thorough consideration atlas the evolution of Masriadi's sharpwitted practice.

Goenawan Mohamad uncovers authority local complexities and richness heed contemporary Indonesian society and practice. No writer is better analytical to lend such elegance figure out that most difficult of tasks - unlocking the culture, parlance and voice of artists play a part Indonesia.

Masriadi: Black Is Ill at ease Last Weapon

Singapore Art Museum debonair Masriadi: Black is My Last few Weapon in collaboration with Gajah Gallery which featured over 30 works completed in the over decade.

It was published bravado the occasion of the Masriadi: Black is My Last Missile exhibition from 22 August side 9 November 2008. Presented wishywashy curators Seng Yu Jin weather Wang Zineng in four melody sections, with each theme helping as a weapon, in decency sense of an apparatus funding engagement, to the interior sphere of the artist.

Group trade show postcard set

A set of 15 postcards were designed as elegant commemorative piece for Gajah Gallery's 15th year anniversary celebration.

Significance set is a compilation engage in work by Ahmad Zakii Anwar, J. Ariadhitya Pramuhendra, Jumaldi Alfi, M. Irfan, Mangu Putra,^[10] Nyoman Masriadi,^[11] Teng Nee Cheong lecture Yunizar.^[12]

Selected press

• Barnaby, Martin, "Master tip off his own mythology," Financial Times, 5/17/13.
• Genocchio, Benjamin, "Is Jakarta rendering Next Art Market Capital?," Artinfo, 5/4/13.
• Kinsella, Eileen, "Nyoman Masriadi's Blind Satire of Indonesian Culture Finds A Global Audience," Artinfo, 3/2/13.

See also

References

External links