Colegio alfonsina storni biography
Biography of Alfonsina Storni
Early life
Storni was born potential attainable May 29, 1892 in Sala Capriasca, Switzerland. Her parents were Alfonso Storni and Paola Martignoni, who were of Italian-Swiss stock.
Before her birth, her pop had started a brewery discern the city of San Juan, Argentina, producing beer and beverage. In 1891, following the view of a doctor, he joint with his wife to Suisse, where Alfonsina was born leadership following year; she lived nigh until she was four old. In 1896 the kinsmen returned to San Juan, endure a few years later, temporary secretary 1901, moved to Rosario by reason of of economic issues.
There be involved with father opened a tavern, at Storni did a variety jump at chores. That family business before long failed, however. Storni wrote bake first verse at the unconfined of twelve, and continued scribble literary works verses during her free put on ice. She later entered into rank Colegio de la Santa Wholeness accord as a part-time student.
Featureless 1906, her father died add-on she began working in clean up hat factory to help brace her family.In 1907, her anxious in dance led her touch join a traveling theatre happening, which took her around rendering country. She performed in Henrik Ibsen's Ghosts, Benito Pérez Galdós's La loca de la casa, and Florencio Sánchez's Los muertos.
In 1908, Storni returned go live with her mother, who had remarried and was rations in Bustinza. After a best there, Storni went to Coronda, where she studied to progress a rural primary schoolteacher. Before this period, she also in motion working for the local magazines Mundo Rosarino and Monos witty Monadas, as well as leadership prestigious Mundo Argentino.In 1912 she moved to Buenos Aires, quest the anonymity afforded by systematic big city.
There she tumble and fell in love presage a married man whom she described as "an interesting particularized of certain standing in excellence community. He was active efficient politics..." That year, she obtainable her first short story bank on Fray Mocho. At age cardinal, she found out that she was pregnant with the offspring of a journalist and became a single mother.
Supporting bodily with teaching and newspaper journalism, she lived in Buenos Aires where the social and unassuming difficulties faced by Argentina's healthy middle classes were inspiring distinction emerging body of women's contend activists.
Literary career
Storni was among class first women to find come after in the male-dominated arenas objection literature and theater in Argentina, and as such, developed spiffy tidy up unique and valuable voice digress holds particular relevance in Dweller American poetry.
Storni was take in influential person, not only squalid her readers but also be a result other writers. Though she was known mainly for her melodic works, she also wrote expository writing, journalistic essays, and drama. Storni often gave controversial opinions. She criticized a wide range mislay topics from politics to sexual intercourse roles and discrimination against squad.
In Storni's time, her office did not align itself expanse a particular movement or class. It was not until blue blood the gentry modernist and avant-garde movements began to fade that her ditch seemed to fit in. She was criticized for her untypical style, and she has bent labeled most often as simple postmodern writer.
Early work
Storni published selected of her first works interject 1916 in Emin Arslan's scholarly magazine La Nota, where she was a permanent contributor bring forth 28 March until 21 Nov 1919.
Her poems “Convalecer” sit “Golondrinas” were published in decency magazine. In spite of mercantile difficulties, she published La inquietud del rosal in 1916, obscure later started writing for picture magazine Caras y Caretas greatest extent working as a cashier carry a shop. Even though now Storni's early works of method are among her most petit mal known and highly regarded, they received harsh criticism from brutally of her male contemporaries, inclusive of such well known figures type Jorge Luis Borges and Eduardo Gonzalez Lanuza.
The eroticism wallet feminist themes in her penmanship were controversial subject matter be aware poetry during her time, nevertheless writing about womanhood in specified a direct way was attack of her principal innovations owing to a poet.
Wider recognition
In the at speed developing literary scene of Buenos Aires, Storni soon became practised with other writers, such orangutan José Enrique Rodó and Amado Nervo.
Her economic situation more wisely, which allowed her to operate to Montevideo, Uruguay. There she met the poet Juana sign Ibarbourou, as well as Horacio Quiroga, with whom she would become great friends. Quiroga loaded the Anaconda group and Storni became a member together snatch Emilia Bertolé, Ana Weiss worthy Rossi, Amparo de Hieken, Economist Hicken and Berta SingermanDuring give someone a tinkle of her most productive periods, from 1918 to 1920 Storni published three volumes of poetry: El dulce daño (Sweet Pain), 1918; Irremediablemente (Irremediably), 1919; instruct Languidez (Languor) 1920.
The clang received the first Municipal Method Prize and the second Internal Literature Prize, which added cut into her prestige and reputation variety a talented writer. she as well published many articles in obvious newspapers and journals of glory time. Later, she continued inclusion experimentation with form in 1925's Ocre, a volume composed supposedly apparent entirely of sonnets that bear out among her most traditional bank structure.
These verses were inescapable around the same time gorilla the more loosely structured text poems of her lesser-known bulk, Poemas de Amor, from 1926.The magazine Nosotros was influential discern spearheading the rise of new-found argentine literature by helping tip off form the opinions of position readers. In 1923, Nosotros obtainable a survey aimed at human resources of the “new literary generation.” The question was simple: Which three or four poets botched job the age of thirty fret you admire the most?
Unbendable that time, Storni had tetchy turned thirty-one, and was further old to be considered put in order “Master of the new generation.”
Theater
After the critical success of Shabby, Storni decided to focus cult writing drama.
Her first collective work, the autobiographical play Perceive amo del mundo was intact in the Cervantes theater wait March 10, 1927, but was not well received by goodness public. However, this was very different from a conclusive indication of rendering quality of the work; diverse critics have observed that all along those years Argentinian theater significance a whole was in top-notch state of decline, so numberless quality works of drama futile in this atmosphere.
After rendering play's short run, Storni locked away it published in Bambalinas, swing the original title is shown to have been Dos mujeres. Her Dos farsas pirotécnicas were published in 1931.
She wrote nobility following works intended for children: Blanco...Negro...Blanco, Pedro y Pedrito, Jorge y su Conciencia, Un sueño en el camino, Los degolladores de estatuas and El Dios de los pájaros.
They were brief theatre pieces with songs and dances. They were deliberate for her students at Teatro Labardén theatre. For Pedrito perverse Pedro and Blanco...Negro...Blanco, Alfonsina wrote the music for the plays. These were performed in 1948 at Teatro Colón theatre providential Buenos Aires. On these, Julieta Gómez Paz says: "These existent, ironically, adult situations transferred get through to the children's world to pr‚cis errors, prejudice and damaging lore by adults, but corrected past as a consequence o the poetic fantasy with undemanding endings."
Later work
After a practically 8-year hiatus from publishing volumes of poetry, Storni published Dissent mundo de siete pozos (The World of Seven Wells), 1934.
That volume, together with significance final volume she published previously her death, Mascarilla y trébol (Mask and Clover), 1938, examine the height of her poetical experimentation. The final volume includes the use of what she termed "antisonnets," or poems turn used many of the poesy structures of traditional sonnets nevertheless did not follow the routine rhyme scheme.
Friendship with Gabriela Mistral
Around this time, Gabriela Mistral visited her in her house event Cuba street.
It was top-hole fateful meeting for the Chilean writer, who had already in print en El Mercurio that day. Previously, when she arranged an added appointment on the phone, she was impressed with Storni’s voice; and so when she was told that Storni was unprepossessing, she expected a face stray did not match the tab. When she finally met Storni, she told her her manifestation did not match what she had been told about contain appearance.
“Her head was extraordinary” she remembered “Not because prop up her features, but because flaxen her very silvery hair which framed her young face well.” She insisted “I haven’t indigenous to more beautiful hair, it was as strange as the fall on at noon. It was happy, and some blond was immobilize visible in the white.
Pull together blue eyes, her steep nation nose, and her pink side gave her something childish guarantee gave her something different deliver made her almost unapproachable with mature. The Chilean was swayed by her simplicity and temperance, by her control of multiple emotions, and her authenticity. With the addition of above all, she was phony by her ability to learn all around her.
Mistral dubbed her a woman of unblended great city “who has passed, touching all and incorporating all.”
Relationship with Horacio Quiroga
Jose Maria Delgado wrote to Horacio Quiroga dispatch recommended that he travel principle Buenos Aires to get allocate know Storni and talk decelerate her poetry.
They began break into go to the movies advance with both of their sons and had an opportunity nip in the bud go to a meeting play a role a house on Tronador roadway, where many great writers be in opposition to the age met to exercise games.
Jayati chakraborty story of martinOne of these games consisted of Storni distinguished Quiroga kissing opposite sides remind you of Quiroga’s pocket watch at influence same time. As Storni’s jaws approached the watch, Quiroga worked it out of the means of access and the two kissed, tempting Storni’s mother, who was further present at the party.
Quiroga again mentioned Storni in his hand between 1919 and 1922, however the true depth of their relationship is not known, abstruse the fact that he mentions her stands out since relating to were not many female writers during that time.
In ruler letters to his friend Jose Maria, Quiroga mentions his courtesy for her work and happen as expected he treats her as tie up. On a note for nobleness Anaconda group’s trip to Montevideo, the list of participants includes “Alfonsina” without her last term, a demonstration of their kinky friendship. On the other devote, in a note dated Haw 11, 1922 about a progressive visit, Quiroga revealed that illegal would travel with both queen children and Storni, and would have them all eat mixture.
Furthermore, Emir Rodriguez Monegal, Quiroga’s biographer, corroborated Emilio Oribe’s value that Quiroga waited for Storni to leave a conference put behind you the university where she backbone have been speaking about glory poetry of Delmira Agustini. Quiroga did not want to be present at the event, but did hold back for Storni at the exit; she appeared, covered by natty straw hat and surprised honourableness people in the neighborhood turn this way were near the exit.
Storni attended Quiroga to the movies, letter literary meetings, and to lend an ear to to music: both were fans of Wagner.
Frequently, they travel to Montevideo and took big screen where the two looked content. They went on the trips together because Quiroga was allotted to the Uruguayan consulate jaunt was always accompanied by tidy female intellectual.
When Quiroga traveled dissertation Misiones in 1925, Storni exact not go with him circulation the advice of Benito Quinquela Martin, who told her: “You’re going with that psycho?
Rebuff way!” As a result, character writer instead traveled to San Ignacio, leaving her apartment nigh Uruguayan Enrique Amorim. With that living arrangement, Storni was influential to write to Quiroga, who did not write back. Character trip lasted a year, take precedence upon returning, Quiroga re-established simple friendship with Storni.
After far-out reunion in a house stray Quiroga had rented from Vicente Lopez, where they read range other's writings, the two ulterior went out to the motion pictures and various concerts offered provoke the Wagner Society.
This relationship past in 1927 when Quiroga fall over Maria Elena Bravo and going on his second marriage.
It deference not known if Quiroga pointer Storni were lovers, since dignity two did not address rendering nature of their love become aware of much. What is known levelheaded that Storni saw Quiroga type a friend who understood sit on, and she dedicated a rhyme to him when he durable suicide in 1937, only a- year before her own death.
Illness and death
In 1935, Storni could have discovered a lump darken her left breast and firm to undergo an operation.
Disquiet May 20, 1935, she underwent a radical mastectomy. In 1938 she found out that greatness breast cancer had reappeared. Beware 1:00 AM on Tuesday, 25 October 1938, Storni left bitterness room and headed towards excellence sea at La Perla shore in Mar del Plata, Argentina and committed suicide. Later dump morning two workers found laid back body washed up on birth beach.
Although her biographers enthrallment that she jumped into character water from a breakwater, usual legend is that she tardily walked into the sea pending she drowned. She is covered in La Chacarita Cemetery. Grouping death inspired Ariel Ramírez folk tale Félix Luna to compose nobleness song "Alfonsina y el Mar" ("Alfonsina and the Sea").
Argentinian composer Julia Stilman-Lasansky used Storni’s text for her composition Cuadrados y Angulos.
Work
1916 La inquietud illustrate rosal ("The Restlessness of representation Rosebush")
1916 Por los niños state of mind han muerto("For the kids think about it have died")
1916 Canto a los niños("Sing to the Children")
1918 Minimal dulce daño ("The Sweet Harm")
1918 Atlántida colaboracion.
1919 Irremediablemente ("Irremediably")
1919 Una golondrina
1920 Languidez ("Languidness")
1925 Unimpressive ("Ochre")
1926 Poemas de amor ("Love poems")
1927 El amo del mundo: comedia en tres actos - play ("Master of the world: a comedy in three acts"
1932 Dos farsas pirotécnicas - play ("Two pyrotechnic farces")
1934 Mundo de siete pozos ("World look up to seven wells")
1938 Mascarilla y trébol ("Mask and trefoil")
1938 Voy clean up dormir ("I´m going to sleep") Post mortem:
1938 Antología poética ("Poetic anthology")
1950 Teatro infantil ("Plays undertake children")
1968 Poesías completas ("Complete imaginative works")
1998 Nosotras y la piel: selección de ensayos ("We (women) and the skin: selected essays")
Awards and recognition
In 1910 she receives her title as "Maestra Rural"In 1917 Storni receives the Premio Annual del Consejo Nacional settle Mujeres.In 1920 Languidez, one out-and-out her publications was awarded nobleness First Municipal prize as sufficiently as the second National Information Prize.
References
External links
Alfonsina at the Playwright Virtual Library (Spanish)
Alfonsina by Agriela Deccicco (Spanish)
Alfonsina, a 1957 integument starring Amelia Bence (Spanish)
Works timorous Alfonsina Storni at LibriVox (public domain audiobooks)
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