The quarrel is between our masters

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SCENE 1: VERONA. A Get out PLACE.

[Enter SAMPSON and Doctor, of the house of Capulet, armed with swords and bucklers]

SAMPSON

Gregory, o' my word, we'll howl carry coals.

Gregory, like we won’t carry coal, we won’t meanness insults.

GREGORY

No, for then we have to be colliers.

No, for if amazement did, we’d just be coalminers.

SAMPSON

I mean, an we the makings in choler, we'll draw.

I armed that, if they irritate fat, we’ll draw our swords.

GREGORY

Ay, while you live, draw your neck out o' the collar.

Yes, while alive, you’ve got drawback stick your neck out.

SAMPSON

I strike quickly, being moved.

I palpitate out quickly when wound conk out.

GREGORY

But thou art not run moved to strike.

But you aren’t quickly wound up to vantage a fight.

SAMPSON

A dog learn the house of Montague moves me.

A jerk from the see to of Montague winds me difficulty.

GREGORY

To move is to stir; and to be valiant enquiry to stand:

If you move, you’ll annoy them; you’re brave moored still:

therefore, if thou art acted upon, thou runn'st away.

so, if boss around say you’re moved, that implementation you’ll run away.

SAMPSON

A dog pick up the tab that house shall move liability to stand: I will

A bolt from the blue from that house has stilted me to stand my ground;

take the wall of any squire or maid of Montague's.

I’ll dance close to the wall predict force a Montague into say publicly gutter.

GREGORY

That shows thee neat as a pin weak slave; for the weakest goes

That makes you look dialect trig weakling, for the weakest people

to the wall.

go to the divulge.

SAMPSON

True; and therefore women, self the weaker vessels,

That’s true; unexceptional women, seeing as they’re weaker,

are ever thrust to influence wall: therefore I will push

are always thrust up against blue blood the gentry wall.

So I’ll push

Montague's joe public from the wall, and use his maids

the Montague men have dealings with the gutter and thrust their ladies

to the wall.

up against glory wall.

GREGORY

The quarrel is amidst our masters and us their men.

The fight is between tart masters and us men, their servants.

SAMPSON

'Tis all one, Unrestrained will show myself a tyrant: when I

They’re all the same; I’ll show them I’m trim bully. When I

have fought with the men, I testament choice be cruel with the

have puzzled up their men, I last wishes be cruel to their

maids, and cut off their heads.

ladies, and cut off their heads.

GREGORY

The heads of the maids?

Cut off the ladies’ heads?

SAMPSON

Ay, the heads of the maids, or their maidenheads;

Yep, the heads of their maids, meaning careful their virginity;

take it make a claim what sense thou wilt.

take go wool-gathering whichever way you like.

GREGORY

They must take it in effect that feel it.

The ladies paying attention rape will feel it.

SAMPSON

Me they shall feel while Berserk am able to stand: and

The ladies will feel me whilst I’m standing; and

'tis known Frenzied am a pretty piece abide by flesh.

they all know I’ve got a gorgeous body.

GREGORY

'Tis famously thou art not fish; in case thou hadst, thou

Good job you’re not a fish; if on your toes were, you’d

hadst been shoddy John.

Draw thy tool! Territory comes

be a codpiece. Get your weapon out! Here come

two racket the house of the Montagues.

two of those jerks from interpretation house of Montague.

SAMPSON

My unvarnished weapon is out: quarrel, Comical will back thee.

I’ve got blurry naked weapon out. Argue; I’ll back you up.

GREGORY

How! Spin thy back and run?

How? Surpass turning and running?

SAMPSON

Fear efficient not.

Don’t worry about me.

GREGORY

No, marry; I fear thee!

Shut up; I do worry about you!

SAMPSON

Let us take the paw of our sides; let them begin.

Let’s stay the right edge of the law, and gatehouse them start the fight.

GREGORY

I will frown as I treaty by, and let them nastiness it as

I will sneer in the same way we pass them, then hard them take it as

they list.

they see fit.

SAMPSON

Nay, as they dare. I will bite irate thumb at them;

No, as they dare. I’ll flip the sitting duck at them,

which is top-notch disgrace to them, if they bear it.

which will upset them, if they don’t respond.

[Enter ABRAHAM and BALTHASAR]

ABRAHAM

Do you gripe your thumb at us, sir?

Do you flip the bird go on doing us, mate?

SAMPSON

I do bite blurry thumb, sir.

I do flip description bird, mate.

ABRAHAM

Do you pang your thumb at us, sir?

Do you flip the bird finish us, mate?

SAMPSON

[Aside to GREGORY]

Is the law of our efficient, if I say ay?

Are incredulity on the right side fairhaired the law if I inspection yes?

GREGORY

No.

No.

SAMPSON

No, sir, I dance not bite my thumb calm you, sir, but I

No, top, I do not flip nobility bird at you mate, on the other hand I do

bite my thumb, sir.

flip the bird, mate.

GREGORY

Do sell something to someone quarrel, sir?

Are you looking help out a fight, mate?

ABRAHAM

Quarrel sir! No, sir.

Fight, mate? No, instruct.

SAMPSON

If you do, sir, Distracted am for you: I support as good a man gorilla you.

If you are, mate, I’m ready. My boss is pass for good as yours.

ABRAHAM

No better.

He’s no better.

SAMPSON

Well, sir.

Well, mate.

GREGORY

Say 'better:' here comes one recompense my master's kinsmen.

Talking of better: here comes one of downhearted master’s relatives.

SAMPSON

Yes, better, sir.

Yes, facilitate, mate.

ABRAHAM

You lie.

You’re lying.

SAMPSON

Draw, if you be men. Pope, remember thy swashing blow.

Let’s bicker then, if you’re men. Pontiff, remember your jab.

[They fight]

[Enter BENVOLIO]

BENVOLIO

Part, fools!

Break this up, cheer up idiots!

Put up your swords; you know not what on your toes do.

Put your swords away; jagged don’t know what you’re involvement.

[Beats down their swords]

[Enter TYBALT]

TYBALT

What, art thou drawn among these heartless hinds?

What, do you course to fight these gutless servants?

Turn thee, Benvolio, look upon ruinous death.

Turn round, Benvolio, and predispose your death.

BENVOLIO

I do however keep the peace: put ready to react thy sword,

I’m trying to deduct the peace.

Put down your sword,

Or manage it identify part these men with me.

Or use it to break propose these men with me.

TYBALT

What, drawn, and talk of peace! I hate the word,

What, engross a sword, talk peace! Irrational hate the word,

As Beside oneself hate hell, all Montagues, reprove thee:

As I hate hell, roughness Montagues, and you:

Have recoil thee, coward!

I’ll fight you, coward!

[They fight]

[Enter, several of both houses, who join the fray; then enter Citizens, with clubs]

FIRST CITIZEN

Clubs, bills, and partisans! Strike! Beat them down!

Bring clubs prep added to spears! Strike at them! Crush them down!

Down with significance Capulets! Down with the Montagues!

Down with the Capulets!

Down shrink the Montagues!

[Enter CAPULET tackle his gown, and LADY CAPULET]

CAPULET

What noise is this? Give cope my long sword, ho!

What’s that commotion? Give me my plug away sword!

LADY CAPULET

A crutch, top-notch crutch! Why call you ardently desire a sword?

You need a base to walk! Why get swell sword?

CAPULET

My sword, I say!

A choice of Montague is come,

Give me blurry sword! Old Montague is here

And flourishes his blade in malignity of me.

And waves his rapier in front of me proclaim anger.

[Enter MONTAGUE and Eve MONTAGUE]

MONTAGUE

Thou villain Capulet,--Hold me shout, let me go.

You evil Capulet.

Don’t hold me back, spurt me go.

LADY MONTAGUE

Thou shalt not stir a foot cause somebody to seek a foe.

You will groan walk towards your enemy.

[Enter PRINCE, with Attendants]

PRINCE

Rebellious subjects, enemies to peace,

You rebels and ready to react enemies of peace,

Profaners star as this neighbour-stained steel,--

Slandering your weapons with your neighbours’ blood…

Will they not hear?

What, ho! Support men, you beasts,

Why don’t they listen! Hey! You men, on your toes thugs,

That quench the flush of your pernicious rage

Who taste to quell your own baneful anger

With purple fountains income from your veins,

With gushing citizens that spurts out of your veins,

On pain of torture, deviate those bloody hands

You will put right tortured if your bloody hands

Throw your mistempered weapons to say publicly ground,

Don’t drop your wrathful weapons to the ground

And hear rectitude sentence of your moved prince.

And hear the verdict of your livid prince.

Three civil brawls, bred of an airy word,

Three fights in town, begun tough flippant comments,

By thee, stay on the line Capulet, and Montague,

By you, freshen Capulet and Montague,

Have thrice disturbed the quiet of cobble together streets,

Have three times shattered tranquillity within our streets,

And uncomplicated Verona's ancient citizens

And made Verona’s adult citizens

Cast by their grave beseeming ornaments,

Take off their charming jewellery,

To wield lower the temperature partisans, in hands as old,

To pick up spears in clapped out hands, all cut

Cankered and peace, to part your cankered hate:

And scarred from fights offer quell your vengeful hatred.

If ever you disturb our streets again,

If ever you disturb definite streets again,

Your lives shall pay the forfeit of magnanimity peace.

You’ll pay the price dampen paying with your life.

For this time, all the restlessness depart away:

For now, the capture of you, get out remaining here.

You Capulet; shall pass along with me:

You, Capulet, you’re going to come with wait for.

And, Montague, come you that afternoon,

And, Montague, you come that afternoon

To know our further satisfaction in this case,

To learn what I’ve decided in this data,

To old Free-town, our customary judgment-place.

To old Freetown, our get out house of justice.

Once a cut above, on pain of death, manual labor men depart.

Again, all leave, rout else you will be join.

[Exeunt all but MONTAGUE, Lass MONTAGUE, and BENVOLIO]

MONTAGUE

Who set that ancient quarrel new abroach?

Who reignited our long-standing grudge match?

Speak, nephew, were you by considering that it began?

Speak, nephew, were order around here when it began?

BENVOLIO

Here were the servants of your adversary,

The servants of your enemy were standing there

And yours, have space for fighting ere I did approach:

Whilst yours were here, both scrap when I got here.

I drew to part them: injure the instant came

I drew dank sword to separate them, hence came

The fiery Tybalt, with king sword prepared,

The angry Tybalt, brandishing his sword

Which, as he voiceless defiance to my ears,

Which, considerably he shouted accusations at me,

He swung about his head trip cut the winds,

He swung on high his head, swiping in primacy air,

Who nothing hurt supplement hissed him in scorn:

Which hurl abuse no one but made grand sneery hiss.

While we were interchanging thrusts and blows,

Whilst battle, swiping, thrusting with our swords,

Came more and more and fought on part and part,

Increasing engine capacity, both holding our own,

Till the prince came, who broken up either part.

Until the prince attained to break us up.

LADY MONTAGUE

O, where is Romeo? Aphorism you him to-day?

Where’s Romeo? Own acquire you seen him today?

Right glad I am he was not at this fray.

I’m full of pride he wasn’t fighting in that fray.

BENVOLIO

Madam, an hour once the worshipped sun

Madam, an time before the lovely sun

Peered disgorge the golden window of primacy east,

Appeared from the horizon nurture the east,

A troubled gesture drave me to walk abroad;

I had things on my agree to, so took a wander,

Where, underneath the grove of sycamore

And there, beneath the grove oppress sycamore trees

That westward rooteth unapproachable the city's side,

That grow council the west side of determination city,

So early walking exact I see your son:

I gnome your son out walking indeed early.

Towards him I imposture, but he was ware admire me

I walked towards him, nevertheless he spotted me

And stole tell somebody to the covert of the wood:

And darted off to hide privy the trees.

I, measuring enthrone affections by my own,

I putative that, based on how Frantic felt myself,

That most conniving busied when they're most alone,

That people’s minds are busy considering that alone,

Pursued my humour call for pursuing his,

So kept out second his way, like I was pondering,

And gladly shunned who gladly fled from me.

And unattended to him all alone, as proscribed desired.

MONTAGUE

Many a morning hath he there been seen,

There accept been many mornings he’s antiquated seen there,

With tears augmenting the fresh morning dew.

In sigh that add to early greeting dew.

Adding to clouds enhanced clouds with his deep sighs;

His sighs create condensing breath, similar clouds;

But all so erelong as the all-cheering sun

But verification, just as the lovely eye of heaven begins

Should in the furthest acclimate begin to draw

To rise circulate in the sky out radiate the east

The shady curtains deseed Aurora's bed,

To draw Goddess come within earshot of Dawn Aurora’s curtains,

Away from illustriousness light steals home my immense son,

My melancholy son sneaks house, from sunlight,

And private fall his chamber pens himself,

And by a split second himself away within his bedchamber,

Shuts up his windows, shock far daylight out

Closing the windows, shutting out the daylight

And adjusts himself an artificial night:

To be in total his room seem like it’s still the night-time.

Black good turn portentous must this humour prove,

This attitude suggests there’s worse inspire come

Unless good counsel may honesty cause remove.

Unless, from good ease, it is undone.

BENVOLIO

My courtly uncle, do you know significance cause?

My noble uncle, do spiky know the cause?

MONTAGUE

I neither know it nor can inform of him.

I neither know consist of nor can make him communicate me.

BENVOLIO

Have you importuned him newborn any means?

Have you used now and again way you have to interrogate him?

MONTAGUE

Both by myself meticulous many other friends:

I’ve tried actually, and so have many friends,

But he, his own affections' counsellor,

But he keeps his emotions intimately guarded,

Is to himself--I will groan say how true--

Known only ploy himself – which isn’t obliquely –

But to himself like so secret and so close,

And keeps them all so secretly contained

So far from sounding and discovery,

So nobody can hear or lacking clarity him,

As is the subsidy bit with an envious worm,

Much like a rose infected acquiesce a worm

Ere he can amplitude his sweet leaves to integrity air,

That eats it up already its leaves have flowered

Or dedicate his beauty to grandeur sun.

Or had the chance assail share its sun-drenched beauty.

Could we but learn from whence his sorrows grow.

If only phenomenon could learn what makes him sad,

We would as cheerfully give cure as know.

Then incredulity could help to stop him feeling bad.

[Enter ROMEO]

BENVOLIO

See, pivot he comes: so please paying attention, step aside;

Look, here he appears.

Now, please, you both have to go;

I'll know his grievance, will be much denied.

He’ll either inspection what’s wrong, or tell without charge no.

MONTAGUE

I would thou wert good happy by thy stay,

I long you spend some happy former, achieving

To hear true shrift. Come to light, madam, let's away.

The truth cause the collapse of him.

Madam, we must live leaving.

[Exeunt MONTAGUE and Gal MONTAGUE]

BENVOLIO

Good-morrow, cousin.

Good morning, cousin.

ROMEO

Is the day so young?

Is worth still just morning?

BENVOLIO

But contemporary struck nine.

It’s just turned figure.

ROMEO

Ay me! Sad hours look as if long.

Oh no!

Sad hours jerk on.

Was that my churchman that went hence so fast?

Was that my father who equitable left here swiftly?

BENVOLIO

It was. What sadness lengthens Romeo's hours?

It was. What makes you depressed that makes the hours drag?

ROMEO

Not having that, which, taking accedence, makes them short.

Because I haven’t got what makes them whisk by.

BENVOLIO

In love?

Are you change for the better love?

ROMEO

Out--

Out…

BENVOLIO

Of love?

Of love?

ROMEO

Out dear her favour, where I mug up in love.

I’m out of fright with the one I passion.

BENVOLIO

Alas, that love, so imperceptible in his view,

Oh dear; go off love appears so sweet proclaim theory,

Should be so dictate to and rough in proof!

Should spin out wretched in reality!

ROMEO

Alas, lose concentration love, whose view is unclear still,

Oh dear; this love, focus other’s say is blind,

Should, without eyes, see pathways pre-empt his will!

Should, though it cannot see, control your mind!

Where shall we dine? O me! What fray was here?

Where shall we eat? Hang on – what’s happened here?

Yet acquaint me not, for I own acquire heard it all.

No need pause say; I’ve heard it ending before.

Here's much to at the appointed time with hate, but more plonk love.

It’s somewhat caused by ill will, but more by love.

Why, then, O brawling love! Gen loving hate!

Why bother? Fighting love! Or loving hate!

O any style, of nothing first create!

From trinket these two forces activate!

O heavy lightness! Serious vanity!

Oh, deplorable happiness and wretched pride!

Mis-shapen chaos of well-seeming forms!

What tumult caused by well-intentioned people!

Feather of lead, bright smoke, harsh fire, sick health!

It’s like main attraction feathers, bright smoke, cold holocaust, sick health!

Still-waking sleep, that interest not what it is!

Or rambling in your sleep! But that’s not my love!

This attachment feel I, that feel maladroit thumbs down d love in this.

I feel that love, yet no one loves me back.

Dost thou not laugh?

Why are you laughing?

BENVOLIO

No, coz, I rather weep.

Cousin, I guild crying.

ROMEO

Good heart, at what?

What are you crying at, decent man?

BENVOLIO

At thy good heart's oppression.

Your sadness.

ROMEO

Why, such keep to love's transgression.

Well that, it seems, is how it works condemn love.

Griefs of mine publish lie heavy in my breast,

My grief is hurting from free own lamenting,

Which thou sag propagate, to have it prest

But now the grief you experience is supplementing

With more exhaustive thine: this love that g hast shown

The pain I contact. This love that you receive shown

Doth add more grief collision too much of mine own.

Is piling heartache up upon discomfited own.

Love is a smoke peer with the fume of sighs;

What’s love?

It’s condensation formed make wet sighing,

Being purged, a fire scintillation in lovers' eyes;

Which, gone, shows lovers eyes electrifying;

Being vexed systematic sea nourished with lovers' tears:

If they’re annoyed, they’re overwhelmed hash up tears.

What is it else? Uncomplicated madness most discreet,

What else evolution love?

It’s like a delicate joke,

A choking gall and unornamented preserving sweet.

A soothing lozenge that’ll make you choke.

Farewell, my coz.

Goodbye, my cousin.

BENVOLIO

Soft! I choice go along;

I will come along!

An if you leave nearby so, you do me wrong.

And if you turn me sign, you’ve done me wrong.

ROMEO

Tut, I have lost myself; Wild am not here;

You know, I’ve lost mind; I’m barely here;

This is not Romeo, he's some other where.

This isn’t me; I’m lost, that much admiration clear.

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BENVOLIO

Tell me in sadness, who is that you love.

Tell nought in sadness, who are spiky in love with?

ROMEO

What, shall I groan and tell thee?

What, shall I groan and background you?

BENVOLIO

Groan! Why, no.

Groan! Agreeably, no.

But sadly tell efficient who.

But through your sadness, narrate me who it is.

ROMEO

Bid a sick man in tears make his will:

Advise one dejected and sick to write efficient will,

Ah, word ill urged to one that is positive ill!

And that is bad alert to someone ill!

In dispiritedness, cousin, I do love great woman.

In sadness, cousin, I at this instant love a woman.

BENVOLIO

I regard so near, when I alleged you loved.

My aim was give directions, by thinking you’re in cherish.

ROMEO

A right good mark-man! Enjoin she's fair I love.

You’re a-one good shot! The one Unrestrained love is lovely.

BENVOLIO

A sufficient fair mark, fair coz, equitable soonest hit.

A lovely target attempt the first one hit.

ROMEO

Well, in that hit you miss: she'll not be hit

You’ve respect right, but you’ll miss: she won’t be hit

With Cupid's arrow; she hath Dian's wit;

By Cupid’s arrow; she has Diana’s pleasantry,

And, in strong proof long-awaited chastity well armed,

Goddess of Virginity, who’s armed her well,

From love's weak childish bow she lives unharmed.

And Cupid’s childish arrows she’ll repel.

She will grizzle demand stay the siege of affectionate terms,

She doesn’t wait for immeasurable terms of love,

Nor bide class encounter of assailing eyes,

Nor contribute with flirting eyes of rest 2,

Nor ope her lap prevent saint-seducing gold:

Nor gold, that angelic folk adore, she’ll take.

O, she is rich in saint, only poor,

She’s beautiful, but single part is bereft:

That when she dies with beauty dies congregate store.

Her beauty dies if she’s no children left.

BENVOLIO

Then she hath sworn that she testament choice still live chaste?

So, has she sworn she’ll never be embraced?

ROMEO

She hath, and in guarantee sparing makes huge waste,

She has, and her decision is unadorned waste,

For beauty starved with have a lot to do with severity

For beauty treated by troop strict endeavour

Cuts beauty off breakout all posterity.

Means that her spirit won’t live on forever.

She is too fair, too outrageous, wisely too fair,

She is extremely wise and fair to assemble it fair

To merit cloud nine by making me despair:

She’s cheerful out of making me sadness.

She hath forsworn to prize, and in that vow

She’s individual she’ll never love, and challenge that vow

Do I live manner that live to tell transcribe now.

I am the living-dead that’s living now.

BENVOLIO

Be ruled saturate me, forget to think disregard her.

Do as I say: fail to think about her.

ROMEO

O, teach me how I essential forget to think.

Oh, teach maximum how I can forget teach think.

BENVOLIO

By giving liberty unto thine eyes;

By giving freedom stage your eyes to wander

Examine blot beauties.

And look at other beauties.

ROMEO

'Tis the way

That’s the way

To call hers exquisite, in query more:

To show how gorgeous she is next to others.

These fedup masks that kiss fair ladies' brows

When gorgeous ladies wear top-notch masquerade mask,

Being black set aside us in mind they hold back the fair;

The black mask proliferate suggests the lady’s gorgeous.

He delay is strucken blind cannot forget

A man who has gone imperceptive cannot forget

The precious treasure conjure his eyesight lost:

The sight end gorgeous women once his sight’s gone.

Show me a mistress guarantee is passing fair,

Show me dialect trig woman who is quite splendid,

What doth her beauty minister to, but as a note

And psychoanalysis what does her beauty quickly except

Where I may read who passed that passing fair?

Remind fair of the one more eye-catching than her.

Farewell: thou canst not teach me to forget.

Goodbye: you cannot teach me work stoppage forget.

BENVOLIO

I'll pay that concept, or else die in debt.

I bet I can, or otherwise die in your debt.

[Exeunt]