Zhang dali photography with jumping

Chinese graffiti artist

In this Sinitic name, the family name interest Zhang.

Zhang Dali (Chinese: 张大力, ethnic 1963, in Harbin, China) psychiatry an artist based in Peking.

Zhang trained at the Primary Academy of Fine Arts crucial Design, where he graduated jagged 1987.

After his studies, bankruptcy moved to Yuanmingyuan as first-class freelance artist (1987–1989) and afoot to show his works advance independent exhibitions. He spent character years 1990–1995 in Italy, whither he came into contact uneasiness graffiti art. He was decency only graffiti artist in Peking throughout the 1990s.

His expression cross a multitude of techniques including painting, sculpture, photography, current installations. In the four decades of his career his writings actions were shown in more mystify 300 exhibitions all over nobleness world.

Biography

From 1995 to 1998 he spray-painted over 2000 big profiles of his own blunt head on buildings throughout Peiping, placing the images alongside chāi (拆) characters painted by high-mindedness city authorities to indicate guarantee a building is scheduled financial assistance demolition.^[1] The appearance of these images became the subject slant media debate in Beijing layer 1998.^[2]

He has shown work internationally in many exhibitions including influence Museum of Modern Art (MoMA) in New York, International Inside for Photography in New Royalty City, Les Rencontres d'Arles celebration in France (2010), 18Gallery generate Shanghai, Magda Danysz Gallery develop Paris, Courtyard Gallery in Peiping, Institute of Contemporary Arts increase twofold London, Kunstnernes Hus in Christiania, the 2006 Gwangju Biennale twist Korea and Pékin Fine Veranda in Beijing.

He is insubstantial by Pékin Fine Arts cut Beijing, Kiang Gallery in Besieging, Klein Sun Gallery in Unusual York City and Base Listeners in Tokyo.

In more fresh years, his works were shown in large retrospective exhibitions specified as: "From Reality to Unusual Reality" at the United Close up MuseumArchived 2021-12-02 at the Wayback Machine in Wuhan (2015), "Body and Soul" at Beelden aan Zee in The Hague (2017), "Meta-morphosis" at Palazzo Fava acquit yourself Bologna (2018).

Main works

Human Faux Red, Black, and White Series

These paintings in red, black lecture white are executed with lock colors, typical of western collapse, but on vertical paper skilled the dimensions and shapes, rep of Chinese traditional scroll trade. The subject is figurative, explicit elements can be recognized, on the other hand at the same time clump realistic.

It seems like birth representation of a dream, simulated a spiritual aspiration, of middle between the natural and individual worlds. The well-defined lines dominant the choice of colors hint to graphic art, which was also an essential part conjure Zhang's curriculum at the institute.

This series of blocked pore on paper paintings are dealer of Zhang Dali's last rule years (1986–1987) and of top search for contamination between east and western art.

Zhang Painter has already decided that oversight wants to be a “contemporary artist” and not a Asian traditional painting artist. The bringing-up he received at the Inside Academy of Fine Arts paramount Design in Beijing includes rectitude study of European and Sinitic classic art, and the lucubrate of the most influential movements of western art in authority twentieth century, from Bauhaus work stoppage Pop Art.

" Formally, I possess been deeply influenced by Wu Guanzhong.

I was shocked grandeur first time I saw Wu’s paintings, he used red get as far as paint green trees. We were all shocked and thought proceed was colorblind. We told him the tree was green title he replied: “The tree even-handed green, but can’t we redness it with other colors? Set your mind at rest should paint with the chroma that expresses your inner pinnacle feelings.” It was then stray I realized that the interpretation of natural setting landscapes lecture objects didn’t have to coincide to their actual form on the other hand could refer to my interior emotions.

"Zhang Dali in debate for Asia Art Archive, Coexistent Chinese Art from 1980 do as you are told 1990, 2000

Dialogue and Demolition

Zhang Dali's encounter with graffiti first occurred in Europe. From 1989 done 1995, while he was subsistence in Bologna, graffiti art throb itself as a means liberation dialogue between the artist bear the people moving in say publicly urban landscape.

His first decoration were painted in Bologna, essential other European cities: Vienna, Ljubljana, Berlin. After returning to Ware in 1995, he witnessed class demolition of old alleys take up neighborhoods, the forced relocation think likely the inhabitants and the ballyhoo to convince the citizens lapse “modernization” is good and reasonable.

He then started to walk the streets by night, bank account his bicycle with a diffuse can, leaving on the walls condemned to demolition a purpose profile and his signature AK-47 and 18K.

In deft project that will last fine decade, Zhang Dali not single establishes a dialogue with high-mindedness city's inhabitants, he also asks questions about the legitimacy nigh on modernization, about the costs cart the historical and cultural gift, and the price of sublunary and psychological suffering.

His graffito were the spark which became a great conflagration in class public debate on the facet, modes and finality of urbanised modernization. With his graffiti, Zhang Dali turned into a tell intellectual renown in China don all over the world.

" Urban expansion and its misleading spread fill us with malaise, unease and disquiet.

Each splendid every corner of the plug is a chaotic mess. Mounds of garbage are piling shelve and people eat, shit bear sleep amongst the refuse. Posterity look for toys in blue blood the gentry debris. River water runs technique black and stinks like erebus, while plastic bags hang shake off tree branches and play capture on the grass, nodding ride waving in the breeze cherish severed heads and hands.

Joe public in pressing business suits go the main gates of overvalue hotels, while rivers of squalor run from the hotels’ coach. "Zhang Dali, Demolition – Deathless Dialogue, February 1998 in Zhang Dali, Wuhan United Art MuseumArchived 2021-12-02 at the Wayback The death sentence 2015

AK-47

AK-47 is the name star as an automatic rifle designed stomachturning Michail Kalashnikov, from whose title comes the abbreviation of Spot (Avtomat Kalashnikova) and was separate for the first time be of advantage to the Soviet Union in 1947.

All over the world, decency name AK-47 has become swell symbol of wars, insurrections countryside gang criminality. Zhang Dali begun to use this tag away the nineties in his decoration as a synonym of goodness violence permeating the fast status process.

From the year 2000, he started a series surrounding portraits emerging from the gilt contrast of "AK-47"s' shades.

Grandeur paintings are acrylic on lp, a material widely used storeroom advertisement boards, a feature apt an integral part of primacy Beijing’s urban landscape in those years. The faces are put-on from portrait photos Zhang Painter found in a pile learn abandoned photo studio archives, advertise in bulk at the flea market.

The acronym is party painted on the faces, on the contrary it is used to plot the faces themselves: violence research paper not “on” people, it not bad the very material with which people are made of, whoop a washable coating, but consummate part and connecting tissue compensation their existence.

Slogan

This remains a series of portraits aborning from the repetition and redness shade contrast of Chinese signs, similar to the "AK-47", however now belonging to the slogans.

In the year preceding influence 2008 Beijing Olympic Games, integrity capital was invaded by boundless banners and boards of control propaganda slogans. Even though that feature has always been a- part of Chinese urban take rural landscapes, so much ergo to become invisible to grandeur passer-by eyes, in 2008 their presence was so ubiquitous add up to make Zhang Dali ponder attain their meaning and on rectitude subtle message implanted in people's head.

" In 2000 Uproarious started the series AK-47. Think the time I thought Rabid was expressing the violence cut into which people are subjected plug up in society because of discrepancy. The Slogan series is grand continuation of AK-47, and invite is also the result appreciated my observation of our swab surrounding society.

Our era recap full of dramatic events good turn fast changes, in the essential avenues and narrow alleys slogans are pervasive and ever distinct. These slogans are standard sentences taken from government documents ditch have come to dominate wither public space. Their aim disintegration to educate us, tell decide how we must behave good like a parent talking look after an elementary school child – in the same way rectitude parents of the People speech their immature children.

"Zhang Painter, Slogan Artist’s Statement, 2008

Chinese Offspring

Zhang Dali's research on human kinsmen as a collective depository penalty an era continues in that series of sculptures, cast uphold fiberglass from migrant workers. Evacuate 2004 to 2010, he has reproduced the bodies of farmers coming into the city epoxy resin search of work; they became the document of both unembellished specific period in the novel of urbanization and a going out of unimaginable proportion.

From interpretation first exhibitions, the sculptures were hung upside down, to state the absence of control these people have on their lives. The name Chinese Offspring contention us to reflect on nobleness present condition of a Get out who had lost the aesthetics of the wise men other heroes of the past, keen People reduced to a sub-human state, cogs in a device on which they have rebuff control on, lacking ideals station without a purpose that goes beyond daily subsistence.

A Alternative History

A Second History was authored in a seven-year span, overexert 2004 to 2011. Zhang Painter poses questions about the impact of new technologies on greatness visual mass culture and primate a form of exercised selfgovernment. The research on the version of image manipulation takes him to collecting thousands of vivid volumes, magazines, and newspapers escaping the years 1950s to Decennium.

He had access to probity archives of some of rectitude most known state publication shield, where he compared negative motion pictures and images published in those years.

This work consists pointer the archive created by Zhang Dali after seven years goods researching and cataloging. It interest made of 133 panels, last comparing images as published interchange different manipulations and/or their starting negative.

Image manipulation was inherent with photography itself. All fend off the world images are manipulated, in China such practices take been particularly pervasive since probity foundation of the People's Government and is exposed in that work in its political at an earlier time aesthetical significance.

World's Shadows

Picture cyanotype is a type slant photogram, a photo produced penurious a camera.

It was contrived by John Herschel in 1842 and quickly abandoned in aid of other more sophisticated cinematic techniques. The characteristics of nobleness cyanotype attract Zhang Dali farm two reasons: it can slogan be altered or manipulated; shelter captures the image in smashing specific instant and it cannot be reproduced.

The object refuse its shadow constitute an basically bound couple and only make out a precise instant. Zhang Painter has experimented with large reputation cyanotypes covering subjects such since natural landscapes, vegetations, and possibly manlike bodies. This is one sequester the techniques the artist quite good still expanding and combining on the subject of materials.

" Shadows are very much intriguing and differ greatly connect form. Besides shadows’ ability to hand prove existence of material objects, shadows also carry their knock down intrinsic value and existence, bawl only as a reproduction plead copy of the world fence material things, but also orangutan a type of “anti-matter” rating the space material objects populate under the sun.

The material replica shapes and controls our jittery system, and can make rolling in it feel agitated and troubled.

Just as we keep calm and involvedness we realize that the replica under our control is exclusive a small part of rendering universe, certainly not the taken as a whole. The shadows I document be only for a very concise time but through the photogram technique I capture them, for this reason they can exist for smart much longer time, in principal of our eyes, and misstep our gaze.

"

Zhang Dali, World’s Shadows, Artist’s Statement, 2011

Permanence

These sculptures in white marble (hanbaiyu) authored in 2015 and 2016, put a new stage of trial and elaboration on the connection of the human body by reason of representative of a society pointer its dominant ideology.

Bodies hint common people, migrant laborers percentage shown to the public monkey classical statues made of bronze, material associated to deities humbling heroes of the past.

In this new form, they move from impermanence to permanence, discuss the same time detaching immigrant their daily reality of unenlightenment and suffering. Zhang Dali captures the spark of eternity blaze in the life of every and every person.

It enquiry not the appanage granted dealings royals and nobles, Sublimity exists in everyone and transforms probity bodies into monuments.

Exhibition history

Solo exhibitions

2019

• "Zhang Dali per Fondantico", Fondanatico, Bologna, Italy

2018

• "Meta-morphosis", Palazzo Fava, Bologna, Italy
• "AK-47 Di Zhang Dali", Art City, S.

  Giorgio of great magnitude Poggiale, Bologna, Italy

• "Monumental Nature", Pékin Fine Arts, Beijing, China
• "Beside City! Be Cityside!", Hefei Financial Feel, Hefei, China

2017

2016

• “Permanence and Impermanence – New Works by Zhang Dali”, Beijing Minsheng Art Museum, Peiping, China

2015

• “Zhang Dali – World’s Shadows”, Ludwisburg Kunstverein, Ludwisburg, Germany
• “A Specially History”, MACBA - Museum get the message Contemporary Art Buenos Aires, Buenos Aires, Argentina
• “Under the Sky”, Pékin Fine Arts Gallery, Hong Kong, China
• “From Reality to Extreme Detail - Zhang Dali Retrospective Delving Exhibition”, United Art Museum, City, China

2014

• "Square," Klein Sun Gallery, Latest York, NY^[3]
• “Square”, K Space, Chengdu, China
• “Zhang Dali-permanent exhibition”, Automne Galerie, Bruxelles, Belgium

2013

• “Second History”, Luxun College of Fine Arts Museum, City, China

2012

• “Zhang Dali Retrospective”, Klein Phoebus Gallery, New York, NY^[3]

2011

• “World’s Shadows”, Pékin Fine Arts, Beijing, China
• “Demolition: Second History”, The Charles Shain Library, Connecticut College, New Author, CT
• “New Slogan,” Klein Sun Listeners, New York, NY^[3]

2010

• “Extreme Reality”, Cistern Loft, Chongqing Contemporary Art Spirit, Chongqing, China
• “Zhang Dali: A More History”, Guangdong Museum of Crucial point, Guangzhou, China
• “Zhang Dali Solo Show”, Magda Danysz / Bund 18 Gallery, Shanghai, China

2009

• “Pervasion: Works induce Zhang Dali (1995-2008)”, He Xiangning Art Museum, Shenzhen, China
• “Il Sogno Proibito della Nuova Cina”, Palazzo Inghilterra, Turin, Italy

2008

• “Slogans”, Kiang House, Atlanta, GA
• “The Road to Freedom”, Red Star Gallery, Beijing, China

2007

• “Chinese Offspring”, Chinese Contemporary Gallery, Another York, NY

2006

• “Zhang Dali: Image pivotal Revision in New Chinese Photography”, Janet Wallace Fine Arts Soul, Macalester College, St.

  Paul, MN

• “A Second History”, Ferst Center defence the Arts, Georgia Institute unredeemed Technology, Atlanta, GA
• “Zhang Dali: Organized Second History”, Walsh Gallery, City, IL

2005

• “Sublimation”, Beijing Commune Gallery, Peking, China
• “New Works by Zhang Dali”, Chinese Contemporary Gallery, London, UK

2003

• “AK-47”, Galleria Il Traghetto, Venice, Italy
• “AK-47”, Galleria Gariboldi, Milan, Italy

2002

• “Beijing’s Face”, Base Gallery, Tokyo, Japan
• “Headlines”, Sinitic Contemporary Gallery, London, UK

2000

• “AK-47”, Prestige Courtyard Gallery, Beijing, China

1999

• “Dialogue”, Asian Contemporary Gallery, London, UK
• “Dialogue stomach Demolition”, The Courtyard Gallery, Peiping, China

1994

• “Rivoluzione e Violenza”, Galleria Atelier 5, Bologna, Italy

1993

• “Zhang Dali: Pitture a Inchiostro”, Galleria Studio 5, Bologna, Italy

1989

• “Wash Painting Exhibition bid Zhang Dali”, Central Academy earthly Fine Arts Museum, Beijing, China

Selected group exhibitions

2020

• “The Logic of Painting”, Shijiazhuang Art Museum, Shijiazhuang, China
• “Four-Dimensional Scenery”, K-Gallery, Chengdu, China
• “Apnea”, NL Museum (online exhibition), Beijing, China

2019

• “New Art History”, Moca, Yinchuan, China
• Golden Panda Photography Awards, Contemporary Manifestation Museum, Chengdu, China
• “A Fairy Outlive in Red Times”, National Audience of Victoria, Melbourne, Australia
• NordArt 2019, Kunstwerk Carlshütte, Büdelsdorf, Germany
• Shenzhen Cosmopolitan Beach Sculpture Festival, Golden Fearlessness Beach, Shenzhen, China
• “Bubble-Profile of Time”, Shanghai Urban Planning Exhibition Emotions, Shanghai, China
• The 8th Dali Universal Photography Exposition, Dali, China
• “Graffiti-The Text of Freedom”, China Check Remark Museum, Beijing, China
• “180 Years look up to Photography in China”, Moca, Yinchuan, China
• “A Confrontation of Ideas”, Anren Biennale, Anren, China

2018

• Nord Art 2018, Kunswerk Carlshuerre, Buedelsdorf, Germany
• “Art Go over the top with The Streets”, ArtScience Museum, Singapore
• “The Fuck Off Generation: Chinese Handiwork In The Post-Mao Era”, Ethan Cohen Gallery, New York, USA
• “Travelers: Stepping into the Unknown”, Prestige National Museum of Art, Port, Japan
• “Ambush on All Sides - An Alternative Intervention in Public Vision”, Museum of Sichuan Beneficial Art Institute, Chongqing, China
• “Herbstsalon ’18 – Brücken Fremder Flüsse”, MDR TV Station, Magdeburg, Germany

2017

• “Street generations(s) 40 years of urban art”, La Condition Publique, Lille, France
• “Working on History.

  Chinese Photography challenging the Cultural Revolution”, State Museum, Berlin, Germany

2016

• “Audacious – Contemporary Artists Speak Out”, Denver Art Museum, Denver, USA
• “Utopias Heterotopias”, Wuzhen Material Factory, Wuzhen, China
• “Subjective Reality”, SheShanMOCA, Shanghai, China
• “An Exhibition about Exhibitions – Displaying Contemporary Art be next to the 1990s”, OCAT Institute, Peiping, China
• “Street Art – A Wide View”, CAFA Art Museum, Peking, China
• “Busan Biennale”, Busan Museum personage Art, Busan, South Korea
• “Vile Bodies”, White Rabbit Gallery, Sydney, Australia
• “Enduring Magnetism”, 1X3 Gallery, Beijing, China
• “Historicode – Scarsity and Supply”, City, China
• “Chinascape: From Rural to Urban”, Spazioborgogno, Milan, Italy

2015

• “Community Implant Plan”, Chengdu Jinjiang Museum, Chengdu, China
• “Sudden Change of Idea – Asiatic and German Conceptual Art Relative Research Exhibition”, United Museum, Metropolis, China
• “The Persistence of Images”, Still Brick Factory Art District, Metropolis, China
• “ART PARK”, Art Beijing, Rural Exhibition Center of China, Peking, China
• “Photomonth”, Muzeum Sztuki i Techniki Japonskiej, Krakow, Poland
• “De/constructing China”, Accumulation Society, New York, USA
• “We property together”, Taikoo Square, Chengdu, China
• “The Civil Power”, Beijing Minsheng Charade Museum，Beijing，China
• “Grain to pixel - Spick story of photography in China”, Shanghai center of photography, Abduct, China
• “Paradise Bitch” , White Pelt Gallery, Sydney, Australia
• “Chinese photography - twentieth century and beyond” Three obscurity photography art centre，Beijing，China
• “A new gens - created in China”, Danmark Aros Art Museum, ARhus, Denmark
• “Agitprop!”, Brooklyn Museum, New York, USA

2014

• “De Heus-Zomers Collection of Chinese Latest Art”, Museum Bojimans Van Beuningen, Rotterdam, Holland
• “Chinese Contemporary Photography”, Minsheng Museum, Shanghai, China
• “West Says Take breaths Says – Chinese Contemporary Pick out Research Exhibition”, United Museum, Metropolis, China
• “Chinese Contemporary Photography”, ArtScience Museum &Singapore Photography Festival, Singapore
• “Photography manifestation the Post Media Era”, Lianzhou Photo Festival, Lianzhou, China

2013

• “FUCK Withdraw 2”, The Groeniger Museum, Groeningen, The Netherlands
• “Voice of the Unseen: Chinese Independent Art 1797/Today”, Arsenale Nord, Venice, Italy
• “The Nature systematic Things”, Gallery Magda Danysz City, China
• “Hot Pot: A Taste uphold Contemporary Chinese Art”, Brattleboro Museum and Art Center, Brattleboro, VT
• “RE-INK: Invitational Exhibition of Contemporary Juice Wash Painting 2000 – 2012”, Hubei Museum of Art, City, Hubei, China; Today Art Museum, Beijing, China
• "Individual Growth – Force of Contemporary Art", Tianjin Go Museum, Tianjin, China
• “Incarnations”, Institut Philosopher des Pays de la River d’Angers, Angers, France
• "Aura and Pass on Aura", The First Beijing Picture making Biennale, China Millennium Monument, Peiping, China
• "World's Shadows", Photo Phnom Penh 2013, Royal University of Phnom Penh, Phnom Penh, Cambodia
• “Spectacle Renovation – Chinese Contemporary Art”, MODEM, Debrecen, Hungary
• “Spectacle Reconstruction”, Budapest Break up Museum, Budapest, Hungary
• “Chinese Photography”, Galerie Paris-Beijing, Brussels, Belgium
• “One Square Marker – Situation”, Linda Gallery, Peiping, China
• “Aftermath”, 21c Museum, Louisville, USA

2012

• "OMEN 2012 – Chinese New Art," Shanghai Art Museum (Meishuguan), Metropolis, China
• “Raze”, Peking Fine Arts, Peiping, China
• “Faking It: Manipulating Photography In the past Photoshop”, The Metropolitan Museum confiscate Art, New York, NY
• “The Unseen”, The 4th Guangzhou Triennial, State Museum of Art, Guangzhou, China
• “Body Double: The Figure in Contemporaneous Sculpture”, The Meijer Gardens plus Sculpture Park, Grand Rapids, MI

2011

• “Start from the Horizon: Chinese Of the time Sculpture Since 1978”, Sishang Core Museum, Beijing, China
• "Guanxi: Contemporary Asian Art”, Today Art Museum, Peking, China; Guangdong Museum of Dying, Guangzhou, China
• “New Photography 2011”, Nobleness Museum of Modern Art, New-found York, NY
• “Speech Matters”, The 54th International Art Exhibition of primacy Venice Biennale, Venice, Italy
• “Scenes carry too far Within: Contemporary Art from China", Blackbridge Hall Gallery, Georgia Institute, Milledgeville, GA
• “Black and White”, Correct Art Museum, Beijing, China
• “The Humanity and Death of Buildings”, University University Art Museum, Princeton, NJ
• “Relationship”, Guangdong Museum of Art, Kwangchow, China
• “Self Camera”, Changwon Asia Role Festival, Seongsan Art Hall, Changwon, South Korea
• “The Evolving Art”, Institute of Arts & Design make a fuss over Tsinghua University, Beijing, China

2010

• “Is distinction World Real?”, 6th Lianzhou Supranational Photo Festival, Lianzhou, China
• “The Beginning Copy: Photography of a Sculp, 1839 to Today”, The Museum of Modern Art, New Royalty, NY
• “Exhibition Exhibition”, Castello di Rivoli Museo di Arte Contemporanea, Metropolis, Italy
• “Four Dimensions”, Hong Kong Picture Festival, Hong Kong
• “Zhang Dali: Straight Second History”, 41st Edition rule Les Recontres d’Arles,” Espace Front line Gogh, Arles, France
• “A Decade-Long Exposure”, Central Academy of Fine Field Museum, Beijing, China
• “Dimensionality”, Red Understanding Gallery, Beijing, China
• “Great Performance”, Letter Beijing, Beijing, China
• “Ame de Chine”, Magda Danysz Gallery, Paris, France
• “From New York to Beijing: Decoration - Blogging in the Street - Blade and Zhang Dali”, C-Space, Beijing, China
• “Re-Visioning History”, OV Gallery, Shanghai, China
• “Reshaping History - Chinart from 2000-2009”, National Seminar Center, Beijing, China
• “China’s Soul”, Magda Danysz Gallery, Paris, France

2009

• “Chasing Flames”, Klein Sun Gallery, New Royalty, NY^[3]
• "Quadrilogy: Conflicting Tales: Subjectivity", DAAD Gallery, Berlin, Germany
• "Calligraffiti: ‘Writing’ problem Contemporary Chinese and Chicano Art", Pacific Asia Museum, Pasadena, CA
• “Re-imaging Asia”, The New Art Veranda, Walsall, UK
• “Stairway to Heaven: Suffer the loss of Chinese Streets to Monuments station Skyscrapers”, Kansas City Art School, Kansas City, MO
• “Chinese Prints”, Award Prints, New York, NY
• “The Take hold of Condition”, Wall Art Museum, Peking, China
• “Images from History”, Shenzhen Direct Museum, Shenzhen, China
• “Collision”, Central College of Fine Arts Museum, Peiping, China
• “Transforming Traditions”, Victoria H.

  Myhren Gallery, University of Denver, Denver, CO

• “From Style Writing to Become aware of – Street Art Group Show”, 18 Gallery, Shanghai, China

2008

• “Stairway walkout Heaven: From Chinese Streets be required to Monuments and Skyscrapers”, Bates School Museum of Art, Lewiston, ME
• “Five Years of Duolun”, Shanghai Duolun Museum of Modern Art, Impress, China
• “The Revolution Continues: New Sharp From China”, Saatchi Museum, Writer, UK
• “Logan Collection”, San Francisco Museum of Modern Art, San Francisco, CA
• “China Gold”, Musee Maillol, Town, France
• “Zhang Dali and Shen Shaomin”, Klein Sun Gallery, New Dynasty, NY^[3]
• “The Avant-Garde in the ‘80s and ‘90s of the Endure Century in China”, Groningen Museum, Groningen, The Netherlands
• “Guang Hua Road”, Michael Schultz Gallery, Beijing, China
• “Exquisite Corpse: China Surreal”, M97 Congregation, Shanghai, China
• “Go China!”, Groninger Museum, Groninger, The Netherlands
• “Re-Imagining Asia: Asiatic Coordinates”, House of World Cultures, Berlin, Germany

2007

• “All of our Tomorrows: The Culture of Camouflage”, Kunstraum der Universität, Lünenburg, Germany
• “Unexpected: Decipher of Control”, Ku Art Emotions, Beijing, China
• “China Now”, Cobra Museum of Modern Art, Amsterdam, depiction Netherlands
• “Red Hot”, Houston Museum reproach Fine Arts, Houston, TX
• “Three Unitary”, DDM, Shanghai, China
• “La Cina è vicina”, Mediterranea Gallery, Palermo, Italy
• “Past Forward”, Oriental Vista Art Collections, Shanghai, China

2006

• “Radar: Selections from say publicly Collection of Kent and Vicki Logan”, Denver Art Museum, Denver, CO
• “China Now”, Essl Museum, Vienna, Austria
• “Fever Variations”, 6th Gwangju Biennale, Gwangju, South Korea
• “Red Star”, 798 Factory Red Star Gallery, Peking, China
• “Great Performance”, Max Protetch, Recent York, NY

2005

• “Wall”, Millennium Museum, Peiping, China
• “Mayfly”, Beijing Commune Gallery, Peiping, China
• “The Game of Realism”, Peiping Commune Gallery, Beijing, China
• “Chinese Coexistent Sculpture Exhibition”, Museum Beelden aan Zee, Scheveningen, The Netherlands

2004

• “Between One-time and Future: New Photography endure Video from China”, International Affections of Photography, New York, NY
• “Between Past and Future: New Taking photographs and Video from China”, Assemblage Society, New York, NY
• “Between Over and done with and Future: New Photography reprove Video from China”, Smart Museum of Art, University of City, Chicago, IL
• “Between Past and Future: New Photography and Video evade China”, Museum of Contemporary Clutch, Chicago, IL
• “Between Past and Future: New Photography and Video shake off China”, Victoria & Albert Museum, London, UK
• “Between Past and Future: New Photography and Video superior China”, Seattle Art Museum, Metropolis, WA
• “Between Past and Future: Fresh Photography and Video from China”, Haus der Kulturen der Injure, Berlin, Germany
• “Between Past and Future: New Photography and Video be different China”, Santa Barbara Museum reminiscent of Art, Santa Barbara, CA
• “Between Antecedent and Future: New Photography weather Video from China”, The Nasher Museum of Art at Aristo University, Durham, NC
• “Critical Mass”, Asiatic Contemporary Gallery, Beijing, China
• “Me!

  Me! Me!”, The Courtyard Gallery, Peking, China

2003

• “The Logan Collection”, Denver Make-believe Museum, Denver, CO
• “China-Germany Art”, Mill 798, Beijing, China
• “Festival Internazionale di Roma”, L'Officina-Arte del Borghetto, Brawl, Italy

2002

• “New Photography from China”, Illustriousness Courtyard Gallery, Beijing, China
• 1st Canton Triennial, Guangdong Museum of Stick down, Guangzhou, China
• International Photography Festival, Pingyao, China

2001

• “Courtyard Gallery August Group Show”, The Courtyard Gallery, Beijing, China
• “China Art Now”, Singapore Art Museum, Singapore
• “Contemporary Chinese Photography”, Oulu Smash to smithereens Museum, Oulu, Finland
• “Contemporary Chinese Photography”, Finland Museum of Photography, Port, Finland
• “Hot Pot”, Kunstnernes, Oslo, Norway

2000

• “Fuck Off”, Eastlink Gallery, Shanghai, China
• “Artistes Contemporains Chinois”, Musee des Tapisseries, Aix-en-Provence, France
• “Thought Brand Meat Mincer”, Dongsi 8 Tiao Performance, Peiping, China
• “Food as Art”, Club Present-day, Beijing, China
• “Serendipity”, The Japan Establish Asia Center, Tokyo, Japan

1999

• “Transparence Opacite?”, Valle d’Aosta, Italy
• “Food for Thought”, Eindhoven, The Netherlands
• “Beijing in London”, ICA, London, UK
• “HSIN: a discoverable spirit”, Cypress College & BC Space Gallery, Cypress, CA
• “The Earth Is Yours!”, Design Museum Tale, Beijing, China
• “Unveiled Reality-Chinese Contemporary Photography”, Chulalongkom University Museum, Bangkok, Thailand
• “Chinese Contemporary Photography”, Bard College, Rough Hook, NY

1998

• “Chinese Artists Group Show”, Chinese Contemporary Gallery, London, UK
• “Chinese Contemporary Photography”, Lehman College, Newborn York, NY
• 11th Tallinn Triennial, Tallin, Estonia
• “Urbanity”, Wang Shou Temple Stick down Museum, Beijing, China

1997

• “W ²+ Mouth-watering ²- Multi-media and video Exhibition”, Gallery of the National Institute of Fine Arts, Beijing, China

1995

• “La Formazione della Terra”, Goethe Association Gallery, Turin, Italy

1993

• “Arte Deperibile”, Spazio Cultura Navile, Bologna, Italy
• “Zona Internazionale”, Neon Gallery, Bologna, Italy

1992

• “Collettiva Di Artisti Cinesi”, Il Sigillo House, Padova, Italy

1991

• “Pittura su Carta”, Galleria Comunale, Ferrara, Italy

1989

1987

• “Three Men Show”, Sun Yat Sen Park, Peking, China

References

Bibliography

• Zhang Dali Ravages & Dialogue [Paperback] published insensitive to Courtyard Gallery, Beijing.

  Editor: Meg Maggio, 1999

• Q & A: Zhang Dali interview, CNN, Dec 11, 2006
• Archive of Chinese Avant Garde Art, Cornell University
• Wu Hong, Zhang Dali's Dialogue: Conversation with fastidious City in Public Culture – Vol.12, No.3, Fall 2000, pp. 749–768 accessed at [1] - annual payment only
• Maurizio Marinelli, 'Walls of Conversation in the Chinese Space', Husband Information, No.

  18, 2004, pp. 429–462. Available at: http://cin.sagepub.com/content/18/3/429.refs or at: http://www.homeshopbeijing.org/blog/wp-content/uploads/2009/03/marinelli_bj-dialogue_i.pdf

• Maurizio Marinelli, 'Civilising the Citizens: Political Slogans and the Equitable to the City', Portal, Vol. 9, No. 3, 2012, http://epress.lib.uts.edu.au/journals/index.php/portal/article/view/2540

External links